Oldham: September 2012

Senin, 24 September 2012

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(Music Pro Guide Books & DVDs). New technologies have revolutionized the music business. While these technologies have wreaked havoc on traditional business models, they've also provided new opportunities for music business entrepreneurs, as well as new challenges for musicians, recording artists, songwriters, record labels and music publishers. The Future of the Music Business provides a road map for success by explaining legal fundamentals including copyright law's application to the music business, basic forms of agreement such as recording, songwriting and management co ntracts, PLUS the rules pertaining to digital streaming, downloading and Internet radio. This book also shows exactly how much money is generated by each of these models, and details how the money flows to the principal stakeholders: artists, record labels, songwriters and music publishers. Part I is a comprehensive analysis of the laws and business practices applying to today's music business Part II is a guide for producers on how to clear music for almost any kind of project including movies, TV, ad campaigns, stand-alone digital projects AND how much it will cost Part III presents new discussions on the hottest industry controversies including net neutrality; and the financial battles between the new digital music services & copyright owners and artists Part IV discusses how to best use the new technologies to succeed The book contains URLs linking to 2 on-line videos: Fundamentals of Music Business and Law, and Anatomy of a Copyright Infringement Case. Attorneys can use a password to gain 2 CLE credits.

Sales Rank: #544686 in Books
Brand: Hal Leonard
Published on: 2015-07-01
Original language: English
Number of items: 1
Dimensions: 9.25" h x .94" w x 7.25" l, .0 pounds
Binding: Paperback
404 pages

About the Author
STEVE GORDON operates a music clearance service and is an educator on entertainment and copyright law. The recipient of two Fulbright Scholarships, Gordon has taught at Tel Aviv University in Israel and Bocconi University in Milan, and has also served as adjunct professor at the New School in New York City. He has lectured at many schools and universities, including Juilliard, Wharton, and Columbia University.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Larger graphs and charts for the next book please!!
By Javier Martinez
I really wish the charts and graphs were larger and with color. The black and white text is hard to read sometimes since they are so small.

0 of 0 people found the following review helpful.
Well received gift on my son's wishlist
By Friendly Fed
This was a gift for my son, he has found it very helpful as a musician learning about the music business.

0 of 0 people found the following review helpful.
What an amazing book! Thank you Steve Gordon :)
By musical_lady
The best music book I have ever read.....amazing value for money! Highly recommended

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Sales Rank: #3715460 in Books
Published on: 2001-07-10
Original language: English
Number of items: 3
Dimensions: 9.50" h x 7.25" w x 1.00" l, 2.28 pounds
Binding: Paperback
560 pages

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Selasa, 18 September 2012

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Published on: 1964
Binding: Hardcover

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Kamis, 06 September 2012

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Much contemporary political philosophy has been a debate between utilitarianism on the one hand and Kantian, or rights-based ethic has recently faced a growing challenge from a different direction, from a view that argues for a deeper understanding of citizenship and community than the liberal ethic allows.

The writings collected in this volume present leading statements of rights-based liberalism and of the communitarian, or civic republican alternatives to that position. The principle of selection has been to shift the focus from the familiar debate between utilitarians and Kantian liberals in order to consider a more powerful challenge ot the rights-based ethic, a challenge indebted, broadly speaking, to Aristotle, Hegel, and the civic republican tradition.

Contributors include Isaiah Berlin, John Rawls, Alasdair MacIntyre.

Sales Rank: #167084 in Books
Published on: 1984-12-01
Released on: 1984-12-01
Original language: English
Number of items: 1
Dimensions: 9.25" h x .70" w x 6.13" l, .72 pounds
Binding: Paperback
278 pages

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12 of 12 people found the following review helpful.
The issue of liberalism is examined by modern thinkers.
By A Customer
This collection of articles from several prominent thinkers such as Berlin, Hayek, and Nozick, allowed for an all encompasing overview of issues facing both proponents and opponents of modern liberalism. General themes ranging from definitions of liberty to the role of the free-market in issues of distributive justice are examined. For a beginning or curious political thinker, this book offers an ideal overview for understanding the bigger, broader issues facing modern political thought.

1 of 1 people found the following review helpful.
Conflict of values: can we get along?
By Richard E. Hayes
The liberals represented here are all Kantian rights-based liberals. Sandel describes them as "egalitarian liberals" and "libertarian liberals" [but Hayek has rejected the label "libertarian" : see WHY I AM NOT A CONSERVATIVE]. Rawls and Dworkin "advocate certain welfare rights that Hayek and Nozick oppose ..." [Since Hayek supports a safety net, this summary by Sandel needs amplification.] The critics all object to the radical individualism in the Kantian tradition. Some are communitarians, and Sandel says one is a "democratic socialist" and one a "traditional conservative." The critics are heirs of Hegel, Kant's great critic. [The fact that socialists and conservatives share criticisms of liberalism is also discussed by Hayek, op. cit.]

This is not about debates between today's American Republican and Democratic parties. Both of these parties are heirs of Enlightenment liberalism, and both violate, when in power, Hayek's principles of liberalism. As Hayek repeatedly urged, those who agree with his defense of liberty should call themselves liberals, not conservatives. The current corruption of the word for partisan purposes is a disservice to the political process. [Late in life, Hayek found it increasingly difficult to insist on calling himself a liberal -- one of the consequences of polarization between two "liberal" parties in the U.S. and the perversion of the term. He decided he was an "Old Whig" {op.cit.}, which opens a whole other can of worms!]

The true opponent of liberalism is conservatism, another word distorted in current usage [discussed by Hayek, op. cit.]. Not a topic of this book. An excellent account of the war of conservatism against liberalism is ENEMIES OF THE ENLIGHTENMENT by Darrin McMahon. Hayek said conservatism has nothing to contribute to the questions facing citizens of the modern state [op.cit.].

Bias? -- Sandel says that here are offered "examples of the communitarian, or republican alternatives" to "rights-based liberalism." But isn't the latter republican? Sandel says three selections "challenge the liberal view" -- does that mean that these critics are not liberals? One criticizes "conservative political theory" (Burke) and says nothing against political liberalism. The second criticizes the "modern consciousness" shaped by capitalism (one expression of liberalism), affirms the value of inalienable human rights and dignity, and dismisses the option of "a regressive restoration of traditional codes," but does not say anything about political liberalism. The third is the most acute criticism (Sandel, communitarian), a technical critique of Rawls; it affirms the value of understanding ourselves "as citizens of this republic" and claims to show the defect in liberalism, but I could not understand the argument (my limitation).

The lead essay is a classic by Isaiah Berlin, which merits multiple readings. He says there are " more than 200 senses of this protean word [freedom]" which illustrates the difficulty of political discourse. He pleads for "the empirical, as against the metaphysical, view of politics," and for a political arrangement that tolerates a pluralism of ultimate values that cannot be merged or submerged in a cultural unity without violating liberty.

The excerpt from Rawls contrasts utilitarianism with a politics guided by the principle of "justice as fairness." The excerpt omits his definition of a key concept, "the original position" behind "the veil of ignorance." [see Wikipedia: Original position].

Dworkin's excerpt is an analysis of liberal and conservative aims in current American politics and their philosophical bases. This helps clarify the evolution of political terms from "classical" to contemporary. The other essays are not about current politics, but are philosophical investigations.

Hayek, whom Sandel puts among the rights-based liberals, makes a powerful argument about the concept of equality. It does not get the rigorous criticism Rawls gets. I would like to have seen a response by a critic of Hayek liberalism.

Nozick makes a shocking observation (which I capitalize): "The existence of past injustice ... raises [a] major topic under justice in holdings [property]: the rectification of injustice in holdings ... I DO NOT KNOW OF A THOROUGH TREATMENT OF SUCH ISSUES [as] what may victims of injustice permissibly do in order to rectify the injustices" -- such as stealing the labor of one's slave ancestors. "[We need] a principle of rectification ... I shall not attempt that task here." His dilemma derives from his doctrine that only a minimal state is legitimate and "redistribution" is illegitimate without a strong argument from a principle of justice. Thus, a leading libertarian evades a key question of justice.

The excerpt from HEGEL by Charles Taylor is valuable background to the debate here between Kant and Hegel, between rights-based liberalism and communitarianism/socialism/conservatism. Taylor says Hegel has been misunderstood as producing "Prussianism, state worship, even proto-Fascism." Hegel's doctrine is that "morality reaches its completion in a community ...obligations are founded in our membership of some community." Hegel "provided the indispensable background for Marx's thought." These are the common themes of critics of liberalism, which aims to liberate individuals from overpowering forces of community and tradition.

Walzer, the "democratic socialist," criticizes market ideology and radical individualism. "... members of a political community owe one another communal provision of security and welfare ... [Needs are] elusive ... expansive .. voracious [and] subject to political limitations [only, not to] "merely philosophical stipulation."

Oakshott, the "traditional conservative," aims to redeem the phrase "political education," which has been corrupted to mean propaganda. Politics is "the activity of attending to the general arrangements of a set of people." How to do this has to be learned. Politics is "the exploration of a sympathy for what does not fully appear ... an incoherence in the arrangements of a society which pressed convincingly for remedy." The suggestion that only those with the requisite knowledge of our political heritage can guide politics may be conservative (and may be true), but I did not see anything here particularly conservative or critical of liberalism. It's a valuable caution to be modest in our political schemes.

There are varieties of liberalism and communitarianism (good articles in Wikipedia). Within each are significant differences. The tension between groups and within groups -- in other words, among the conflicting values and interests of citizens -- is beneficial, each correcting the excesses of the other. Liberalism opposes authoritarianism; communitarianism/socialism/conservatism remind us that we are creatures of a culture, a nation, a history. Perhaps the most informed and thoughtful citizen holds a mix of these contending values.

0 of 1 people found the following review helpful.
Five Stars
By NikNik
Interesting read

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Minggu, 02 September 2012

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With a career, a boyfriend, and a loving family, Piper Kerman barely resembles the reckless young woman who delivered a suitcase of drug money 10 years ago. But that past has caught up with her. Convicted and sentenced to 15 months at the infamous federal correctional facility in Danbury, Connecticut, the well-heeled Smith College alumna is now inmate #11187-424 - one of the millions of women who disappear "down the rabbit hole" of the American penal system.

From her first strip search to her final release, Kerman learns to navigate this strange world with its strictly enforced codes of behavior and arbitrary rules, where the uneasy relationship between prisoner and jailer is constantly and unpredictably recalibrated. She meets women from all walks of life, who surprise her with small tokens of generosity, hard words of wisdom, and simple acts of acceptance. Heartbreaking, hilarious, and at times enraging, Orange is the New Black offers a rare look into the lives of women in prison, why it is we lock so many away, and what happens to them when they're there.

Sales Rank: #4566 in Audible
Published on: 2012-06-11
Format: Unabridged
Original language: English
Running time: 674 minutes

Most helpful customer reviews

6 of 6 people found the following review helpful.
Way Different From the Show
By Humming Bird
Like most people, I was first introduced to this story from the show on Netflix. While waiting for the new season to come out it prompted me to buy the book and see how similar it was to Hollywood's spin on things. The book is MUCH different than the show. And better. The book, while it is a memoir written by Piper, makes her out to be a much better person than the Piper on the TV show. Now, if you haven't read the book or seen the TV show and you have plans to, I suggest you stop reading because there are SPOILERS ahead....

The real Piper, whose last name is Kerman and not Chapman, didn't seem as conniving or crazy as the TV show Piper. She didn't take part in a dirty panties operation, didn't do her time with Alex Voss (only a few short weeks when they were testifying in Chicago), and never got starved by the head kitchen worker. As an avid reader, I get it - the book is always different than when Hollywood takes over and makes dramatic effect on it.

The book was very informative - it displayed women bonding in a situation that is less than desirable for most of the human population. While most women, when put together with other women in cramped up places usually proves as challenging and scary, Piper Kerman talked about the positives when it came to serving time together. She included many details that the show leaves out - it was nice to actually get in her head and feel the emotions of doing time.

I'm giving it 4 stars because it took me a little longer to finish than other books. While not a bad book, there were parts where I had a hard time focusing because it felt repetitive and unnecessary. If you were into the TV show, check this out. While there are shades of similarities, the book is extremely different than what Netflix has shared with us.

6 of 6 people found the following review helpful.
Not worth it
By Teacher123
I'm not sure I can even finish this book. I watched the series (which I loved!!!) before I began reading it, which may have given me false hope for it being somewhat interesting. If you're reading the book thinking it will be like the show, don't even bother. Piper makes her time in prison sound like a breeze and even enjoyable at times. She throws in the occasional, "I miss Larry" and "I'd give anything to be on the outside," but quickly begins talking about another great friend she has made. It seems as though everyone is nice to her aside from the occasional dirty look. Honestly, I'm not sure how this became so popular that it led to a Netflix series. Props to the writers and everyone else who works on the show. They had very little to work with.

4 of 4 people found the following review helpful.
A worthy read but not in the same league as the show
By Ashleigh Lay
If you're like me and you're coming to this book as a big fan of the Netflix series, you might not be in for the read you imagine. I fully expected that the show would have taken some liberties and juiced up the drama a bit the be adapted for TV, but ultimately the book and the show feel like two different stories. Piper Chapman's TV prison experience is chocked full of violence, sex, drugs, and inmate intrigues of all sorts. Piper Kerman's real-life experience is much tamer in many ways. Her narrative is more about how she maintains her relationships on the outside, connects with her fellow inmates, deals with vindictive prison employees, and comes to terms with the every day injustices of the prison system.

The TV series runneth over with rich, exciting characters, who make it difficult for you to entertain prison stereotypes for too long. It seems that most of these characters were either invented or cobbled together from various women in Kerman's narrative. Many of the characters I loved dearly from the show are not a part of the book or are just mentioned in passing. This was ultimately the biggest disappointment for me.

Kerman is a solid writer, but not a stellar one, and her story feels unfocused at times. The memoir also lacks immediacy- it feels as though it was written long after the fact with the benefit of 20/20 vision (which it was, but we don't necessarily want it to read that way).

Where this book excels is in showing just how broken the US prison system is, especially when it comes to required minimum sentencing for low level drug offenses and preparing inmates to return to civilian life when their sentences are served. Kerman is fairly lucky- she's an educated, middle class white woman with a loving family, supportive friends, and guaranteed employment upon her release from prison in one year. Most of the other inmates don't fare so well. They are under educated and come from high risk neighborhoods. They are serving unnecessarily long sentences and watching their children grow up from across a table in the visitors room. They suffer from addiction or mental illness. They have no way of getting employment or public assistance. They have flimsy or non-existent support systems. These are women who would have a very difficult time voicing their own stories to the public at large, and it's clear that Kerman has decided to use her privileged place in society to help.

A worthy read, by all means, but it's probably best to pick up the book without the expectation that it will be very much like the TV show.

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