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The Jungle (Norton Critical Editions), by Upton Sinclair
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The Jungle's influence has been extraordinary for a literary work. Upton Sinclair's 1906 landmark novel is widely credited with awakening the public fury that led to the passage of the Pure Food and Drug Act (1906), a watershed in consumer protection and government legislation.
This story of the immigrant experience in the harrowing Chicago stockyards has drawn comment from historians, policymakers, and literary critics, and it is a widely assigned teaching text. The novel is accompanied by an introduction and explanatory annotations.
"Contexts and Backgrounds" provides readers with an understanding of The Jungle's disparate social, historical, political, and literary dimensions. Included are autobiographical selections by the author; contemporary perspectives on the meatpacking industry, including writings by Theodore Dreiser, Adolphe Smith, and J. Ogden Armour; and commentary on the living conditions of immigrant workers. Historical studies by Jimmy Skaggs, Rick Halpern, James Barrett, Robert M. Crunden, John Braeman, William Cronon, and Eric Schlosser address the central issues: slaughterhouse abuses, protectionism and The Beef Trust, muckraking, Progressivism, and consumer rights.
"Criticism" collects eight provocative readings of The Jungle as a literary text, as a historical document in its own right, as a contribution to Progressive-era muckraking, and as an important work in urban, economic, and labor history. Contributions include Jack London, Edward Clark Marsh, Winston Spencer Churchill, Walter Rideout, June Howard, Scott Derrick, Michael Brewster Folsom, and Christopher P. Wilson.
A Selected Bibliography is also included.
- Sales Rank: #63517 in Books
- Brand: Sinclair, Upton/ Eby, Clare Virginia
- Published on: 2002-12-11
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x 1.20" w x 5.10" l, 1.10 pounds
- Binding: Paperback
- 512 pages
From Publishers Weekly
Starred Review. Originally published in 1991 as part of a short-lived revival of the Classics Illustrated line, this adaptation of Sinclair's muckraking socialist novel succeeds because of its powerful images. When Kuper initially drew it, he was already a well-known left-wing comics artist. His unenviable task is condensing a 400-page novel into a mere 48 pages, and, inevitably, much of the narrative drama is lost. Kuper replaces it, however, with unmatched pictorial drama. The story follows Lithuanian immigrant Jurgis Rudkis and his family as they are eaten up and spit out by capitalism (represented by Chicago's packing houses). Kuper uses an innovative full-color stencil technique with the immediacy of graffiti to give Sinclair's story new life. When Jurgis is jailed for beating the rich rapist Connor, a series of panels suffused with a dull, red glow draw readers closer and closer to Jurgis's face, until they see that the glint in his eye is fire. Jurgis, briefly prosperous as a strong-arm man for the Democratic machine, smokes a cigar; the smoke forms an image of his dead son and evicted family. Perhaps most visually dazzling is the cubist riot as strikers battle police amid escaping cattle. Kuper infuses this 1906 novel with the energy of 1980s-era street art and with his own profoundly original graphic innovation, making it a classic in its own right.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 10 Up–In 1906, Sinclair published The Jungle, a realistic and scathing portrayal of the life of an immigrant worker. Kuper's revised adaptation focuses solely on its hero, Jurgis Rudkus. Readers follow him from his emigration from Lithuania to downtown Chicago, eager to find the American Dream he's heard so much about. But the harsh world of Chi-town quickly shatters his hopes; forced to take a job at a slaughterhouse, he performs the most menial and vile tasks. An injury pushes him to unemployment and, unable to provide for them, he leaves his family in shame. Rudkus transforms from a starry-eyed dreamer into a cynical but valiant man who fights for workers' rights. Kuper's artwork effectively mimics some of the major art movements of the day. The book opens in a Chagall-inflected form of cubism, lending a folksy, dreamy, and hopeful quality to the early pages. Then, the visuals become increasingly jagged and frenetic until they reach the Futurist-inspired panels that illustrate the story's climax. Well-plotted and beautifully illustrated, Kuper's adaptation breathes new life into this classic American story.–Matthew L. Moffett, Northern Virginia Community College, Annandale
From Booklist
The biographical sketch at the end of Kuper's visualization of the most famous muckraking novel says that it was intended not as an expose of the meatpacking industry but as a pitch for socialism. Kuper and coadapter Russell restore Sinclair's original intent by concentrating on the odyssey, from green Lithuanian immigrant to horribly saddened but finally wiser nascent Socialist Party member, of the book's protagonist, Jurgis Rudkus. It is a story of the highest possible pathos. Jurgis is a working-class Job and worse, for he loses almost everyone he loves to the grinding jaws of industrial capitalism (the coup de grace comes when his dead wife's little brother is eaten by rats) and becomes a strikebreaker and ward heeler before he absolutely bottoms out. Grimmer than Dickens' books, Sinclair's agitprop classic seems tailor-made for Kuper's spectacular color artwork, in which Chagall's buoyant Old World fantasias meet the intense expressionism of Munch and, above all, the cubist-derived constructivism of early Soviet poster art, with a smidgen or two of 1920s German cinema in the compositions. Magnificent. Ray Olson
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
119 of 125 people found the following review helpful.
Chicago Stockyards at the Turn of the Century
By Tony Ramirez
Lithuanian immigrant Jurgis Rudkus and his new bride Ona, along with several other extended family members, try to survive in the "Back of the Yards" district of Chicago. Strapping Jurgis quickly finds employment in the meat packing business and the family begins to eke out a very modest living.
The appeal of home ownership quickly becomes their undoing. They invest their life savings as the downpayment and due to unplanned costs of homeownership (interest, taxes, repairs, etc), they quickly fall behind in their finances. This requires all family members to seek employment, which allows them to hold their heads above water. Unfortunately, the seasonal swings of work, ill health and brutal Chicago winters lead to further financial struggles.
A variety of further circumstances such as death, illness and infidelity lead to choices that continue to test the morals of the characters. Each struggle with the choices necessary for their survival. All are changed forever by the "evils" of the system.
The story details the horrific working conditions of the Stockyards laborers, the deplorable practices followed by the meat packing industry itself and the corruption associated with a capitalistic system. Yes, socialism is an underlying theme in this novel that becomes more evident at novel end.
Overall a very well written novel that provides a glimpse into the despicable conditions endured by the labor force of the Stockyards. No issues with the Kindle edition.
138 of 148 people found the following review helpful.
In the jungle
By Marcus A. Lewis
We last saw Chairman of the Board Juan Cabrillo in "The Silent Sea" (3/10), as he was trekking across the frozen wastes of the antarctic. He had become separated from the crew of the "Oregon" and believed dead. The Chairman and his motley crew are all together again in the latest collaboration from Clive Cussler and Jack Du Brul.
"The Jungle" begins with one of the better Prologues of a Cussler novel in some time. Set in Eastern China, 1281 A.D. We are eyewitnesses to the battle tactics of General Khenbish, who is in the employ of the great Khan. We learn the history of the three tents that precede each battle; and the first known uses of lasers and dynamite on the battlefield. A walled village is obliterated because its leader dared to provoke the wrath of Khan. It is the independent observer who accompanies Khenbish that is the real surprise at the end of the opening chapter.
The story leaps from the past into the present, just four months ago. The tendrils that connect the two begin to reveal themselves; and the adventure begins.
The summary of "The Jungle" alludes to their many types: real, imagined, physical, and politcal. Readers will enjoy finding their way through all of them. It's easy to see why the "Oregon" files have eclipsed the Dirk Pitt series. The writing here is far superior to what the two Cusslers are generating together. A hat tip to Upton Sinclair, whose book inspired the title.
89 of 94 people found the following review helpful.
A supreme achievement
By kelsie
Upton Sinclair's "The Jungle" is one of the handful of books throughout all of history, perhaps, that have encapsulated the crying voices of the oppressed. While many readers and politicians at the time of its publication (and since) have focused on the intolerable conditions in which American food products were produced, the major thrust in "The Jungle" is not in regards to the ill-treatment of our food; it is in regards to the ill-treatment of our workers.
The repeated sufferings of Jurgis and his family are akin to an overwhelming symphony of sorrowful songs. As his family is driven deeper into debt, his body worn down, and his life's zeal and love slowly strangled, Jurgis' desperation becomes palpable, and if you can't sympathize with his feelings at the loss of his family's home--a structure they worked so hard for--check your pulse. You might be dead.
The book contains some of the most horrific depictions in all of literature, including a mercifully oblique reference to a child's death by being eaten alive by rats. Although the novel focuses on Jurgis primarily, it is the children--the laboring little people--who elicit the most sympathy in this reader's view. Struggling to support their family, escaping extremely dangerous situations (one little girl is nearly dragged into an alley and raped), sleeping on the street, and begging desperately for food--the appalling conditions being visited upon children as described in "The Jungle" still have the power to arouse strong anger and outrage, over a century after its initial publication.
One of the greatest social novels ever written, "The Jungle" is a moving tribute to the millions of immigrants who did come here legally, who did find jobs, who were ready to work for their slice of the American Dream, and who survived (barely) despite being swindled, stolen from, lied to, oppressed, turned out, ignored, and abused, almost from the very first step they took into the United States. The recent punditry over immigration that has dominated the national debate should serve as a reminder of the timelessness exhibited in Upton Sinclair's seminal masterpiece.
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